"Liturgy of St. John Chrysostom: No. 6, O Come, Let Us Worship" by Benedict Sheehan, The Saint Tikhon Choir, Jason Thoms was released on October 23, 2020. With Liturgy of St. John Chrysostom: No. 6, O Come, Let Us Worship being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 17 in Benedict Sheehan: Liturgy of St. John Chrysostom by Benedict Sheehan, The Saint Tikhon Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Liturgy of St. John Chrysostom: No. 6, O Come, Let Us Worship is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liturgy of St. John Chrysostom: No. 6, O Come, Let Us Worship by Benedict Sheehan, The Saint Tikhon Choir, Jason Thoms is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Son of God | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 128 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM | ||
Johannes-Passion, SWV 481: I. Introitus | Heinrich Schütz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Minor | 1 | 6A | 77 BPM | ||
Alleluia - Znamenny Chant, Tone 5; Arr. B. Sheehan | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D♭ Major | 3 | 3B | 136 BPM | ||
Bozicni tropar | Pukovet | E Major | 2 | 12B | 130 BPM | ||
Feria quarta: Alleluia. Surrexit Dominus | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | A Minor | 0 | 8A | 135 BPM | ||
Blessed Be the Name of the Lord - Arch. Nathaniel | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F Major | 1 | 7B | 194 BPM | ||
いつもいつものアレルヤ | 子羊の群れキリスト教会 | D Minor | 0 | 7A | 124 BPM | ||
Во Царрствии Твоем | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 81 BPM |
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