"Symphony No. 8 in E Minor, Op. 48: I. Largo" by Kurt Atterberg, Stuttgart Radio Symphony Orchestra, Ari Rasilainen was released on April 17, 2001. Since Symphony No. 8 in E Minor, Op. 48: I. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Atterberg: Symphonies Nos. 7 & 8 by Kurt Atterberg, Stuttgart Radio Symphony Orchestra, Ari Rasilainen. In terms of popularity, Symphony No. 8 in E Minor, Op. 48: I. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 8 in E Minor, Op. 48: I. Largo by Kurt Atterberg, Stuttgart Radio Symphony Orchestra, Ari Rasilainen is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Symphony No. 2 in A Major: I. Moderato | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 112 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Canon (Ferdinand Braunroth) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Holy and Celestial Harmony | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | E Major | 0 | 12B | 111 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM |
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