"The Importance of Being Earnest, Act I: What Should I Do? (Live)" by Gerald Barry, Peter Tantsits, Alan Ewing, Birmingham Contemporary Music Group, Thomas Adès had its release date on November 4, 2014. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 9 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act I: What Should I Do? (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Importance of Being Earnest, Act I: What Should I Do? (Live) by Gerald Barry, Peter Tantsits, Alan Ewing, Birmingham Contemporary Music Group, Thomas Adès to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5, Op. 42, No. 1: V. Toccata | Charles-Marie Widor, André Isoir | F Major | 3 | 7B | 115 BPM | ||
Piano Quartet No. 1 | Gerald Barry, Nua Nos, Dairine Ni Mheadhra | C Major | 1 | 8B | 106 BPM | ||
24 Préludes, Op. 28: No. 2 in A Minor (Featured in "Autumn Sonata") | Frédéric Chopin, Roland Pöntinen | E Minor | 0 | 9A | 69 BPM | ||
Le Rappel des Oiseaux | Jean-Philippe Rameau, Luc Beauséjour | F Minor | 3 | 4A | 118 BPM | ||
Préludes / Book 1, L.117: 2. Voiles | Claude Debussy, Pierre-Laurent Aimard | C Minor | 0 | 5A | 138 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Fiocco - Allegro | Joseph-Hector Fiocco, Steven Staryk | G Major | 3 | 9B | 98 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Erlkönig D. 328 | Franz Schubert, Matthias Goerne, Andreas Haefliger | F Minor | 2 | 4A | 84 BPM | ||
Borodin: Nocturne from String Quartet in Dmaj | Alexander Borodin, RTÉ Vanbrugh Quartet | A Major | 1 | 11B | 87 BPM |