"Symphonie No. 2 en Si Bemol Majeur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Allegro di molto "Alles was Odem hat" - IIb. Molto più moderato ma con fuoco "Lobe den Herr, meine Seele"" by Felix Mendelssohn, Christiane Karg, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks, Pablo Heras-Casado was released on March 10, 2014. Since Symphonie No. 2 en Si Bemol Majeur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Allegro di molto "Alles was Odem hat" - IIb. Molto più moderato ma con fuoco "Lobe den Herr, meine Seele" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Symphonieorchester des Bayerischen Rundfunks, Pablo Heras-Casado's "Mendelssohn: Symphonie No. 2 "Lobgesang"" album is number 4 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, Symphonie No. 2 en Si Bemol Majeur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Allegro di molto "Alles was Odem hat" - IIb. Molto più moderato ma con fuoco "Lobe den Herr, meine Seele"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie No. 2 en Si Bemol Majeur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Allegro di molto "Alles was Odem hat" - IIb. Molto più moderato ma con fuoco "Lobe den Herr, meine Seele" by Felix Mendelssohn, Christiane Karg, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks, Pablo Heras-Casado to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Lieder ohne Worte, Op.19: No.3 In A (Molto allegro), MWV U 89 - "Hunting Song" | Felix Mendelssohn, Daniel Barenboim | A Major | 2 | 11B | 93 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM |
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