"St. Matthew Passion BWV 244 (Piano Arr. By S. Bagge), Pt 1: 16. Choral 'Ich Bin's, Ich Sollte Büssen'" by Johann Sebastian Bach, Irene Cantos was released on April 9, 2024. With St. Matthew Passion BWV 244 (Piano Arr. By S. Bagge), Pt 1: 16. Choral 'Ich Bin's, Ich Sollte Büssen' being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Irene Cantos, Pyotr Ilyich Tchaikovsky, Sergei Prokofiev, Johann Sebastian Bach's "Hymn to the Sun. Piano Works by Bach & Tchaikovsky" album is number 6 out of 23. On top of that, Germany appears to be the country where this track was created. St. Matthew Passion BWV 244 (Piano Arr. By S. Bagge), Pt 1: 16. Choral 'Ich Bin's, Ich Sollte Büssen' is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of St. Matthew Passion BWV 244 (Piano Arr. By S. Bagge), Pt 1: 16. Choral 'Ich Bin's, Ich Sollte Büssen' by Johann Sebastian Bach, Irene Cantos to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | F Major | 2 | 7B | 90 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM |
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