- BPM
- 114
- Key
- D Major
- Camelot
- 10B
La Valse (The Waltz), M 72: Choreographic Poem for Orchestra - SWR Symphony Orchestra Information
- Acousticness
- 84%
- Danceability
- 24%
- Energy
- 16%
- Instrumentalness
- 92%
- Liveness
- 6%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 10%
- Popularity
- 4%
- Loudness
- -20.315 dB
Summary
"La Valse (The Waltz), M 72: Choreographic Poem for Orchestra" by SWR Symphony Orchestra was released on February 14, 2012. La Valse (The Waltz), M 72: Choreographic Poem for Orchestra appears to be safe for all ages as it is not explicit. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 16 out of 50. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, La Valse (The Waltz), M 72: Choreographic Poem for Orchestra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Valse (The Waltz), M 72: Choreographic Poem for Orchestra BPM
We consider the tempo marking of La Valse (The Waltz), M 72: Choreographic Poem for Orchestra by SWR Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
La Valse (The Waltz), M 72: Choreographic Poem for Orchestra Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | |
 | Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | |
 | Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: No. 1. Romanze: Es sass vor langer, grauer Zeit (Mutter) | Felix Mendelssohn, Juliane Banse, Iris Vermillion, Carsten Suss, Christian Gerhaher, Stefan Müller Ruppert, Gächinger Kantorei Stuttgart, SWR Symphony Orchestra, Helmuth Rilling | A Major | 1 | 11B | 111 BPM | |
 | Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | |
 | Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | |
 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante non troppo | Béla Bartók, SWR Symphony Orchestra, Michael Gielen | D Minor | 0 | 7A | 78 BPM | |
 | Frühlingsstimmen, Op. 410: Fruhlingsstimmen (Voices of Spring), Op. 410 | Johann Strauss II, SWR Symphony Orchestra, Michael Gielen | C Major | 4 | 8B | 100 BPM |
- ISRC
- SEWDL0534710
- Label
- L-M Records/RCA Records
Section: 1.4004666805267334
End: 1.404383897781372