Felix Mendelssohn, Juliane Banse, Iris Vermillion, Carsten Suss, Christian Gerhaher, Stefan Müller Ruppert, Gächinger Kantorei Stuttgart, SWR Symphony Orchestra, Helmuth Rilling's 'Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: No. 1. Romanze: Es sass vor langer, grauer Zeit (Mutter)' came out on January 1, 2006. With this song being about 5 minutes long, at 4:47, "Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: No. 1. Romanze: Es sass vor langer, grauer Zeit (Mutter)" by Felix Mendelssohn, Juliane Banse, Iris Vermillion, Carsten Suss, Christian Gerhaher, Stefan Müller Ruppert, Gächinger Kantorei Stuttgart, SWR Symphony Orchestra, Helmuth Rilling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn's "Mendelssohn: Heimkehr Aus Der Fremde, Op. 89" album is number 2 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: No. 1. Romanze: Es sass vor langer, grauer Zeit (Mutter) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: No. 1. Romanze: Es sass vor langer, grauer Zeit (Mutter) by Felix Mendelssohn, Juliane Banse, Iris Vermillion, Carsten Suss, Christian Gerhaher, Stefan Müller Ruppert, Gächinger Kantorei Stuttgart, SWR Symphony Orchestra, Helmuth Rilling to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Lieder ohne Worte, Op. 62: No. 3 Andante maestoso in E Minor, MWV U 177 - "Funeral March" | Felix Mendelssohn, Daniel Barenboim | E Minor | 0 | 9A | 73 BPM |
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