James Vincent Monaco, Frommermann's 'I'm Making Believe (Arr. for Vocal Ensemble by Mattijs van de Woerd)' had a release date set for January 1, 2009. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frommermann's "Holland-America Line" album is number 11 out of 20. On top of that, Netherlands appears to be the country where this track was created. I'm Making Believe (Arr. for Vocal Ensemble by Mattijs van de Woerd) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I'm Making Believe (Arr. for Vocal Ensemble by Mattijs van de Woerd) by James Vincent Monaco, Frommermann to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
26 Welsh Songs, WoO 155: No. 25, The Parting Kiss | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Rivolgeta a Lui Lo Sguardo | Γιάννη Yang | A Major | 5 | 11B | 136 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Jardim Noturno | Claudio Santoro, Vinícius de Moraes, Sheila Negro, Pablo Marquine | D Minor | 1 | 7A | 67 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Considering Matthew Shepard: Passion, 19. The Fence (one week later) | Craig Hella Johnson, Conspirare | E Minor | 1 | 9A | 77 BPM | ||
An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | A♭ Major | 0 | 4B | 144 BPM | ||
6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb | Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar | G Minor | 2 | 6A | 76 BPM |