"At Twilight" by Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox, Paul Badley was released on June 1, 2002. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Grainger Edition, Vol. 18 - Works for Unaccompanied Chorus". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. At Twilight is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With At Twilight by Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox, Paul Badley having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
España - Rhapsody for Orchestra | Emmanuel Chabrier, London Symphony Orchestra, Ataúlfo Argenta | F Major | 3 | 7B | 122 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: III. Song of the Blacksmith | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | D Minor | 2 | 7A | 103 BPM | ||
Ruslan and Lyudmila, Op. 5, Overture | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra | E Minor | 1 | 9A | 151 BPM | ||
O Mensch, bewein dein Sünde groß, BWV 622 (Arr. P. Grainger) | Johann Sebastian Bach, Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 65 BPM | ||
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
American Overture | Joseph Willcox Jenkins, Lone Star Wind Orchestra, Eugene Migliaro Corporon | F Major | 3 | 7B | 132 BPM | ||
Variations on a Korean Folk Song: I. Con moto | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | A♭ Major | 0 | 4B | 88 BPM | ||
Lincolnshire Posy: V. Lord Melbourne | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | C Major | 1 | 8B | 103 BPM |
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