"Variations on a Korean Folk Song: I. Con moto" by John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele was released on July 1, 2005. With Variations on a Korean Folk Song: I. Con moto being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "The Legacy of John Barnes Chance". In this album, this song's track order is #8. Variations on a Korean Folk Song: I. Con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Korean Folk Song: I. Con moto by John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Incantation and Dance | John Barnes Chance, Stavanger Musikkorps av 1919 | G Major | 3 | 9B | 76 BPM | ||
Bookmarks from Japan: I. Mount Fuji | Julie Giroux, University of North Texas Symphonic Band, Alan C. Sierichs | E♭ Major | 3 | 5B | 73 BPM | ||
VI. March (Divertimento for Band) | Air Combat Command Heritage Of America Band | D Major | 3 | 10B | 142 BPM | ||
Chorale and Shaker Dance | John P. Zdechlik, Concordia University Chicago Wind Symphony, Richard Fischer | G Major | 2 | 9B | 78 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Fanfare For The Lord Mayor Of London | Arthur Bliss, The Philip Jones Brass Ensemble, John Iveson | B♭ Major | 2 | 6B | 90 BPM | ||
Year of the Dragon - Finale | Brass Band of Battle Creek | D Minor | 4 | 7A | 143 BPM | ||
Chester (New England Triptych) | US Air Force Heritage of America Band | A♭ Major | 1 | 4B | 146 BPM | ||
Suite No.2 in F for military band, Op.28 No.2/H106: IV. Fantasia on the Dargason | Gustav Holst, Central Band of the Royal Air Force/Wing Commander Eric Banks, Eric Banks, Wing Commander Eric Banks | F Major | 0 | 7B | 122 BPM | ||
Symphony No. 5: Moderate | David Maslanka, Illinois State University Wind Symphony, Stephen Steele | C Major | 3 | 8B | 99 BPM |
Section: 0.43837499618530273
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