"1812 Overture, Op. 49, TH 49" by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper was released on 1990. 1812 Overture, Op. 49, TH 49 appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tchaikovsky: 1812 Overture, Op. 49, TH 49". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. 1812 Overture, Op. 49, TH 49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 1812 Overture, Op. 49, TH 49 by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Suite bergamasque: III. Clair de lune (Arr. A. Caplet for orchestra) | Claude Debussy, Leipzig Radio Symphony Orchestra, Max Pommer | B♭ Major | 2 | 6B | 106 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco piu presto | Johannes Brahms, Julia Fischer, Yakov Kreizberg, Netherlands Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
L’Arlésienne Suite No. 2: IV. Farandole | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 3 | 10B | 84 BPM | ||
Bygone Days - from 'Porco Rosso' | Joe Hisaishi, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 82 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | B♭ Major | 1 | 6B | 133 BPM | ||
Concerto for Violin and Strings in E major, Op.8, No.1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 106 BPM |
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