"Traditional: Coma la rosa en su güerta" by Traditional, Victoria de los Ángeles, Ars Musicae De Barcelona, Enrique Gispert had its release date on October 6, 2023. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Songs of Andalusia. Music from the Middle Ages and Renaissance". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Traditional: Coma la rosa en su güerta is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traditional: Coma la rosa en su güerta by Traditional, Victoria de los Ángeles, Ars Musicae De Barcelona, Enrique Gispert having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palästinalied | Walther von der Vogelweide, James Bowman, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 113 BPM | ||
The Cradle Song | Catherine Strutt, Chris Duncan, Julian Thompson | D Major | 0 | 10B | 63 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
The Twelve Brigands | Traditional, St.Petersburg Chamber Choir, Nikolai Korniev, Tim Storms | G Major | 0 | 9B | 97 BPM | ||
Thou Dost Intercede for All, O Good One | The Choir of the Dormition Church of the Novodevichy Convent | A Major | 2 | 11B | 65 BPM | ||
Cantate Domino | Giuseppe Ottavio Pitoni | B♭ Major | 2 | 6B | 140 BPM | ||
A Winter Road, Op. 42, No. 2 | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 78 BPM | ||
Io piango o filli, madrigal à 5 | Giovanni de Macque, Huelgas Ensemble, Paul Van Nevel | A Minor | 1 | 8A | 82 BPM | ||
I Would Be True (Irish Folk-Tune) | Stellenbosch University Choir | E♭ Major | 1 | 5B | 126 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM |