Walther von der Vogelweide, James Bowman, Early Music Consort Of London, David Munrow's 'Palästinalied' came out on October 2, 1971. The duration of Palästinalied is about 3 minutes long, at 3:18. Based on our data, "Palästinalied" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Early Music Consort Of London, David Munrow's "Music of the Crusades" album is number 8 out of 19. In terms of popularity, Palästinalied is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Palästinalied by Walther von der Vogelweide, James Bowman, Early Music Consort Of London, David Munrow to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Audivi vocem de caelo | Thomas Tallis, Andrew Parrott, Taverner Choir, Taverner Consort | B♭ Minor | 1 | 3A | 78 BPM | ||
Music Of The Gothic Era - Notre Dame Period: 3. "Gaude Maria Virgo" | Léonin, Paul Elliott, Early Music Consort Of London, David Munrow | F Major | 2 | 7B | 71 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Julius Caesar, HWV 17, Act I Scene 4: Sire, with Sextus her son, the lady Cornelia (Achillas, Cornelia, Sextus, Ptolemy) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, John Tomlinson, Sarah Walker, Della Jones, James Bowman | D Major | 1 | 10B | 135 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Non avra ma'pieta questa mia donna | Francesco Landini, Unicorn Ensemble, Michael Posch | C Major | 3 | 8B | 133 BPM | ||
Pues Que Tú, Reina del Çielo | Juan del Encina, The Rose Ensemble, Tim O'Brien, Kristine Kautzman, Lisa Drew, Eric Betthauser, Jordan Sramek | E Minor | 1 | 9A | 172 BPM | ||
Easter Cantata, TWV:1:1534: Wie sollt' ich da | Georg Philipp Telemann, James Bowman, Robert King | E Major | 1 | 12B | 129 BPM | ||
Orff: Carmina Burana: Part 3, Cour d'amours, No. 16 "Dies, nox et omnia" (Baritone) | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill | D Major | 0 | 10B | 74 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM |
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