Stephen Cleobury, Timothy Beasley-Murray, Gerald Finley, Choir of King's College, Cambridge's 'Miserere a 9 (vv.1-4 & 17-20)' came out on February 1, 2011. Miserere a 9 (vv.1-4 & 17-20) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There is only one song in 100 Drivetime Classics, so we believe that "Miserere a 9 (vv.1-4 & 17-20)" is a single. In terms of popularity, Miserere a 9 (vv.1-4 & 17-20) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Miserere a 9 (vv.1-4 & 17-20) by Stephen Cleobury, Timothy Beasley-Murray, Gerald Finley, Choir of King's College, Cambridge is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48, N. 97: Agnus Dei (Ed. Marc Rigaudière) | Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Ensemble of King's College, Cambridge | E♭ Major | 1 | 5B | 96 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 81 BPM | ||
Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme | Mark Radcliffe, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Ian Bostridge, Academy of Ancient Music | D Major | 2 | 10B | 103 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM |
Section: 0.6814661026000977
End: 0.6848495006561279