- BPM
- 103
- Key
- D Major
- Camelot
- 10B
Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme - Mark Radcliffe, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Ian Bostridge, Academy of Ancient Music Information
- Acousticness
- 96%
- Danceability
- 38%
- Energy
- 21%
- Instrumentalness
- 35%
- Liveness
- 14%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 37%
- Popularity
- 15%
- Loudness
- -19.396 dB
Summary
Mark Radcliffe, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Ian Bostridge, Academy of Ancient Music's 'Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme' came out on April 18, 2000. Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 1 out of 52 in Bach: Magnificat in D etc. by Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. In terms of popularity, Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme BPM
The tempo marking of Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme by Mark Radcliffe, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Ian Bostridge, Academy of Ancient Music is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rinaldo / Act 3: Recitativo: Per fomentar lo sdegno | George Frideric Handel, Luba Orgonasova, Gerald Finley, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 79 BPM | |
 | Horn Concerto No. 1 in D, H.VIId No. 3: 2. Adagio | Joseph Haydn, Timothy Brown, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 72 BPM | |
 | Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | |
 | Bach, JS: Magnificat in D Major, BWV 243: XI. Chorus. "Sicut locutus est ad patres nostros" | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge | B♭ Minor | 2 | 3A | 130 BPM | |
 | Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | |
 | Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | |
 | Dido and Aeneas / Act 2: Prelude for the Witches - "Wayward Sisters" | Henry Purcell, David Thomas, Elisabeth Priday, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 122 BPM | |
 | Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | |
 | Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen | Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | |
 | Come, Ye Sons of Art Away, Z. 323: 3. Sound The Trumpet, Sound | Henry Purcell, Michael Chance, Timothy Wilson, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6112661361694336
End: 0.61582350730896