On October 19, 2019, the song "Quartet No. 4, Op. 44: I. Allegro non tanto e comodo (Arr. for Clarinet Quartet by Erin Miesner)" was released by Carl Nielsen, Lake Effect Clarinet Quartet. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Nielsen, Grainger, & Strauss". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Quartet No. 4, Op. 44: I. Allegro non tanto e comodo (Arr. for Clarinet Quartet by Erin Miesner)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Quartet No. 4, Op. 44: I. Allegro non tanto e comodo (Arr. for Clarinet Quartet by Erin Miesner) by Carl Nielsen, Lake Effect Clarinet Quartet having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, London Festival Orchestra, Ross Pople | G Major | 0 | 9B | 82 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Symphony No. 4, Op. 29 "The Inextinguishable": IV. Allegro | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 104 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Music to Goethe's Tragedy "Egmont", Op. 84 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 183 BPM |