Arturo Buzzi-Peccia, Luciano Pavarotti, Andrea Griminelli, Orchestra, Henry Mancini, Unknown Orchestra made "Lolita" available on January 1, 1984. The duration of Lolita is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Lolita's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luciano Pavarotti, Unknown Orchestra, Henry Mancini's "Mamma" album is number 3 out of 16. Lolita is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lolita by Arturo Buzzi-Peccia, Luciano Pavarotti, Andrea Griminelli, Orchestra, Henry Mancini, Unknown Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
Lolita, "Spanish Serenade" | Arturo Buzzi-Peccia, Joseph Schmidt, Berliner Philharmoniker, Hans Schleger | G Major | 2 | 9B | 77 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | ||
Tosca: Act I: Che gelida manina | Luciano Pavarotti | A♭ Major | 1 | 4B | 99 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 85 BPM | ||
Parlami d'amore Mariu' | Cesare Andrea Bixio, Arturo Buzzi-Peccia, Claude Aveline, Alfie Boe, Royal Philharmonic Orchestra, Valeriano Chiaravalle | G Minor | 3 | 6A | 131 BPM | ||
El Bateo: "Preludio" - El Bateo | Rafael Frühbeck de Burgos | D Major | 4 | 10B | 132 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM |
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