Alexander Grill, Iris Wiegandt made "Kapitel 6.2 - Karl der Große - Der Kaiser, der Dom und die Krone" available on February 7, 2014. The duration of Kapitel 6.2 - Karl der Große - Der Kaiser, der Dom und die Krone is about 3 minutes long, at 3:08. Based on our data, "Kapitel 6.2 - Karl der Große - Der Kaiser, der Dom und die Krone" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alexander Grill, Iris Wiegandt's "Karl der Große - Der Kaiser, der Dom und die Krone" album is number 9 out of 17. On top of that, Germany appears to be the country where this track was created. Kapitel 6.2 - Karl der Große - Der Kaiser, der Dom und die Krone is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 6.2 - Karl der Große - Der Kaiser, der Dom und die Krone by Alexander Grill, Iris Wiegandt to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guten Abend, gut' Nacht | WDR Rundfunkorchester Köln, Gesangsquartett Four For Four | E♭ Major | 2 | 5B | 66 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): II. So kommen Sie! 's ist niemand hier! (Valencienne/Camille) | Franz Lehár, Hanny Steffek/Nicolai Gedda/Philharmonia Orchestra/Lovro von Matacic, Hanny Steffek, Nicola Gedda, Lovro Von Matacic, Philharmonia Orchestra | G Major | 0 | 9B | 64 BPM | ||
Gasparone: "Auch ich war einst ein junger Mann" | Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos | G Major | 2 | 9B | 115 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) | Jules Massenet, Teresa Berganza | C Minor | 0 | 5A | 139 BPM | ||
Poème d'un jour, Op. 21: No. 1, Rencontre | Gabriel Fauré, Stéphane Degout, Alain Planès | D♭ Major | 7 | 3B | 90 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Kapitel 10.2 & Kapitel 11.1 - Karl der Große - Der Kaiser, der Dom und die Krone | Alexander Grill, Iris Wiegandt | A Minor | 2 | 8A | 175 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM |
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