Ronald Stevenson, Christopher Guild's 'Sounding Strings: No. 11, La Basse-Breton' came out on February 1, 2019. With Sounding Strings: No. 11, La Basse-Breton being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Stevenson: Piano Music, Vol. 3". In this album, this song's track order is #13. In terms of popularity, Sounding Strings: No. 11, La Basse-Breton is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sounding Strings: No. 11, La Basse-Breton by Ronald Stevenson, Christopher Guild having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite: Nocturne | Alexander Borodin, Alexander Krichel | E Minor | 1 | 9A | 66 BPM | ||
The Queen's Dolour in A Minor, Z. 670 (arr. R. Stevenson) | Henry Purcell, Ronald Stevenson, Murray McLachlan | A Minor | 0 | 8A | 104 BPM | ||
Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Julien Quentin | B Minor | 0 | 10A | 67 BPM | ||
Piano Sonata No. 2 in F Major, K. 280: II. Adagio | Wolfgang Amadeus Mozart, Mao Fujita | C Minor | 1 | 5A | 72 BPM | ||
Petite Romance | Adolf von Henselt, Sergio Gallo | B♭ Minor | 0 | 3A | 75 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: VI. Vivace In E-Flat Major | Sigismond Thalberg, Francesco Nicolosi | A Minor | 1 | 8A | 120 BPM |
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