Heitor Villa-Lobos, Andrés Segovia's '12 Etudes: No. 1. Etudes de arpeges' came out on 1955. The duration of 12 Etudes: No. 1. Etudes de arpeges is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 12 Etudes: No. 1. Etudes de arpeges's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Art of Segovia, Vol. 2 (1952-1955)". In this album, this song's track order is #11. Based on our statistics, 12 Etudes: No. 1. Etudes de arpeges's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Etudes: No. 1. Etudes de arpeges by Heitor Villa-Lobos, Andrés Segovia having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
6 Etudes: Leccion No. 15 | Norbert Kraft | G Major | 0 | 9B | 114 BPM | ||
Bachianas brasileiras No. 1: II. Preludio: Modinha | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | D Minor | 0 | 7A | 82 BPM | ||
In Summer Woods (arr. J. Lloyd Webber for 2 cellos and piano) | John Ireland, Julian Lloyd Webber, Jiaxin Cheng, John Lenehan | D Major | 1 | 10B | 87 BPM | ||
Bachianinha No. 2 / Araponga (Arr. for Guitar by Sérgio Assad) | Paulinho Nogueira, Luiz Gonzaga, Plínio Fernandes | E Minor | 3 | 9A | 81 BPM | ||
Choros No. 3, "Pica-Pau" | Heitor Villa-Lobos, Sergio Burgani, Marcos Pedroso, Wagner Polistchuck, Alexandre Silverio, Dante Yenque, Luciano Amaral, Samuel Hamzem, Orquestra Sinfônica do Estado de São Paulo, John Neschling | F Minor | 1 | 4A | 95 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
Deux arabesques, L. 66: No. 2 (Transcr. H. Renié) | Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam | A♭ Minor | 0 | 1A | 104 BPM |
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