Giuseppe Tartini, Andrew Manze made "Sonata In A Minor: VIII. Variation III" available on 1997. With Sonata In A Minor: VIII. Variation III being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Tartini: The Devil's Sonata and Other Works". In this album, this song's track order is #21. Sonata In A Minor: VIII. Variation III is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata In A Minor: VIII. Variation III by Giuseppe Tartini, Andrew Manze having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Violin Sonata in G Minor "Devil's Trill" | Giuseppe Tartini, Joshua Bell, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 100 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Sonata concertata in A Major, Op. 61, MS 2: III. Rondeu - Allegretto con brio scherzando | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 1 | 12B | 122 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38 No. 1 (Arr. for 2 Cellos): III. Rondo. Allegretto | Bernhard Romberg, VC2 Cello Duo | A Major | 1 | 11B | 80 BPM |
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