Niccolò Paganini, Scott St. John, Simon Wynberg's 'Sonata concertata in A Major, Op. 61, MS 2: III. Rondeu - Allegretto con brio scherzando' came out on May 27, 1994. With Sonata concertata in A Major, Op. 61, MS 2: III. Rondeu - Allegretto con brio scherzando being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Paganini: Music for Violin and Guitar, Vol. 1". In this album, this song's track order is #3. Based on our statistics, Sonata concertata in A Major, Op. 61, MS 2: III. Rondeu - Allegretto con brio scherzando's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata concertata in A Major, Op. 61, MS 2: III. Rondeu - Allegretto con brio scherzando by Niccolò Paganini, Scott St. John, Simon Wynberg having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Cantabile | Arts Music Recording, Rotterdam, Niccolò Paganini, Gil Sharon, Idith Zvi | A♭ Major | 0 | 4B | 85 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Pathetique (1st Movement) | Viriato Baltasar | C Minor | 2 | 5A | 74 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Violin Concerto No. 4 In D Minor, MS 60: I. Allegro Maestoso | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | D Minor | 1 | 7A | 121 BPM | ||
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': I. Allegro | Antonín Dvořák, Škampa Quartet | F Major | 1 | 7B | 105 BPM |
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