"Concerto In A Major TWV 54:A1, For 4 Violins, Strings And Basso continuo: 3. Adagio" by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel had its release date on January 1, 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "Telemann: Sinfonia Spirituosa; String Concertos". In this album, this song's track order is #17. In terms of popularity, Concerto In A Major TWV 54:A1, For 4 Violins, Strings And Basso continuo: 3. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto In A Major TWV 54:A1, For 4 Violins, Strings And Basso continuo: 3. Adagio by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto for 2 Flutes, Violin & Cello in D Major, TWV 54:D1: IV. Gavotte. Presto | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Allison Nyquist, Stephanie Vial, Indianapolis Baroque Orchestra | F Major | 3 | 7B | 128 BPM | ||
Trumpet Concerto in D Major, TWV 51:D7: IV. Allegro | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 2 | 3B | 113 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM |