Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick's ' "Coronis, Jornada primera: No. 3, Con venatorias voces la maleza" was released on its scheduled release date, February 11, 2022. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada primera: No. 3, Con venatorias voces la maleza is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Coronis, Jornada primera: No. 3, Con venatorias voces la maleza by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Coronis, Jornada segunda: No. 22, Es, espumas, a lidar | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Caroline Meng, Marielou Jacquard | E Major | 6 | 12B | 119 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Coronis, Jornada segunda: No. 4, Encienda la llama | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans | A♭ Minor | 5 | 1A | 126 BPM | ||
Stabat Mater in F Minor, RV 621: No. 6., Pro peccatis suæ gentis | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Le Carnaval et la Folie: Air pour les dieux (Rondeau) | Andre Cardinal Destouches, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 1 | 11B | 52 BPM |