Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans's ' "Coronis, Jornada segunda: No. 4, Encienda la llama" was released on its scheduled release date, February 11, 2022. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Coronis, Jornada segunda: No. 4, Encienda la llama's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Coronis, Jornada segunda: No. 4, Encienda la llama by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Geraint Rogers | B Minor | 0 | 10A | 78 BPM | ||
Dido and Aeneas, Z. 626, Act III: When I am laid | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | F♯ Minor | 2 | 11A | 94 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Crucifixus a 5 | Antonio Lotti, Contrapunctus, Owen Rees | G Major | 1 | 9B | 139 BPM | ||
Coronis, Jornada segunda: No. 19, No, señor, porque Tritón | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick, Marielou Jacquard, Caroline Meng, Isabelle Druet | F♯ Major | 4 | 2B | 127 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Coronis, Jornada primera: No. 6, A Donde, fugitivo iman de mis deseos | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet, Victoire Bunel, Anthea Pichanick | D♭ Major | 4 | 3B | 97 BPM | ||
Ben qui si mostra il ciel (Arr. for Violin and Lute by Oliver Webber) | Cipriano de Rore, Oliver Webber, Toby Carr | F Major | 0 | 7B | 136 BPM | ||
Laudate Pueri: V. Sucitans a terra | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Armide, LWV 71, Act I Scene 3: Que la douceur d'un triomphe (Sidonie, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM |