Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick, Marielou Jacquard, Caroline Meng, Isabelle Druet's 'Coronis, Jornada segunda: No. 19, No, señor, porque Tritón' had a release date set for February 11, 2022. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. Based on our statistics, Coronis, Jornada segunda: No. 19, No, señor, porque Tritón's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Coronis, Jornada segunda: No. 19, No, señor, porque Tritón by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick, Marielou Jacquard, Caroline Meng, Isabelle Druet having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": II. Sarabande. Die schlafende Thetis | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 3, Doch Gott muss mir genädig sein | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | B Major | 1 | 1B | 91 BPM | ||
La Giuditta: Part I: Aria: Turbe timide, che fate? (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music: Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 91 BPM | ||
Baryton Trio in C Major, Hob. XI:93: I. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Armide, LWV 71, Prologue: Ouverture (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 111 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM | ||
Bassoon Concerto in G Major, RV 494: II. Largo | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |