On May 12, 2017, the song "Viola da Gamba Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato" was released by Johann Sebastian Bach, Yo-Yo Ma. The duration of Viola da Gamba Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Viola da Gamba Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Yo-Yo Ma Plays Bach by Johann Sebastian Bach, Yo-Yo Ma. The song's track number on the album is #13 out of 20 tracks. In terms of popularity, Viola da Gamba Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Viola da Gamba Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato by Johann Sebastian Bach, Yo-Yo Ma has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Viola da Gamba Sonata No. 1 in G Major, BWV 1027: IV. Allegro moderato being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Bach, JS: Concerto for Two Pianos in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Michel Béroff, Jean-Pierre Wallez, Orchestre de chambre de Paris | A Minor | 2 | 8A | 114 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Goldberg Variations, BWV 988: Var. 28 | Johann Sebastian Bach, Glenn Gould | G Major | 2 | 9B | 91 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
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