"Torna a Surriento" by Ernesto de Curtis, Giuseppe Di Stefano, The New Symphony Orchestra Of London, Iller Pattacini was released on January 1, 1998. The duration of Torna a Surriento is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Torna a Surriento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Torna a Surriento - Songs of Italy and Sicily". In this album, this song's track order is #1. The popularity of Torna a Surriento is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Torna a Surriento by Ernesto de Curtis, Giuseppe Di Stefano, The New Symphony Orchestra Of London, Iller Pattacini having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" | Jacques Offenbach, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 150 BPM | ||
Revaux & François / Arr Schifrin: A Tribute to Hollywood Part 1: My Way | Claude François, Jacques Revaux, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 2 | 7B | 134 BPM | ||
Sogno | Francesco Paolo Tosti, Carlo Bergonzi, Orchestra Da Camera Di Roma, Edoardo Muller | A♭ Major | 1 | 4B | 91 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
Medley: Mattinata - Wien, Wien, nur du allein - Amapola - 'O sole mio | Ruggero Leoncavallo, Rudolf Sieczynski, Joseph Maria Lacalle, Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 4 | 5B | 84 BPM | ||
Delibes: Lakmé, Act 1: Flower Duet - "Dôme épais le jasmin" (Lakmé, Mallika) | Léo Delibes, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Torna a Surriento | Ernesto de Curtis, Jonathan Antoine, Julian Reynolds, Latvian National Opera Chamber Orchestra | E Major | 3 | 12B | 79 BPM | ||
Dein ist mein ganzes Herz | Franz Lehár, Fritz L√∂hner-Beda, Ludwig Herzer, Jonathan Antoine | G Minor | 5 | 6A | 117 BPM | ||
Carmen: Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) | Georges Bizet, Giorgio Lamberti, Alan Titus, Graciela Alperyn, Doina Palade, Ann Liebeck, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | E Minor | 1 | 9A | 73 BPM |
Section: 0.6782796382904053
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