"Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle"" by Jacques Offenbach, Andre Kostelanetz, New York Philharmonic was released on November 2, 1989. The duration of Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Opera Without Words". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Based on our statistics, Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle"'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" by Jacques Offenbach, Andre Kostelanetz, New York Philharmonic having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
Eva | Orquesta Filarmonica de Rumania | D Major | 6 | 10B | 115 BPM | ||
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Embraceable You | George Gershwin, Zubin Mehta, New York Philharmonic | C Major | 1 | 8B | 68 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM |
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