"Concert VIII: La conférence - Gigue l'aisée" by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken was released on October 1, 2011. With this song being about 5 minutes long, at 4:44, "Concert VIII: La conférence - Gigue l'aisée" by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 46 in the song's album "Sainte Colombe: Concerts à deux violes esgales". In this album, this song's track order is #30. Concert VIII: La conférence - Gigue l'aisée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert VIII: La conférence - Gigue l'aisée by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Sonatina | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort | E Minor | 0 | 9A | 108 BPM | ||
Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | ||
Mandolin Concerto In C Major, RV 425: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | A Minor | 0 | 8A | 79 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso | Georg Philipp Telemann, Sarah Cunningham | D♭ Major | 1 | 3B | 139 BPM | ||
Improvisation for solo lute | Thomas Dunford | D♭ Minor | 0 | 12A | 107 BPM | ||
Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima | Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid | D Minor | 1 | 7A | 113 BPM | ||
Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
Section: 0.6160736083984375
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