Johann Sebastian Bach, Göran Söllscher made "Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue" available on January 1, 1992. With Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Göran Söllscher's "J.S. Bach: Transcriptions for Guitar Solo" album is number 6 out of 18. Based on our statistics, Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite for Cello Solo No.1 in G, BWV 1007 - Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue by Johann Sebastian Bach, Göran Söllscher to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande et Bourrée | Narciso Yepes, Johann Sebastian Bach | E Major | 3 | 12B | 112 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 2 (Nach der Predigt): Choral: Man hat dich sehr hart verhönet | Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig | B Minor | 1 | 10A | 69 BPM | ||
Water Piece in D Major, HWV 341 (arr. for trumpet and orchestra): V. March | George Frideric Handel, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 131 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Concerto for Viola, Strings and Continuo in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Nils Mönkemeyer | G Major | 3 | 9B | 134 BPM | ||
Suite en Sol: Les Triolets | Jean-Philippe Rameau, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM |
Section: 0.6306648254394531
End: 0.6355125904083252