Traditional, Choirs of St. John Cantius made "Concluding Rosary Prayers (Joyful Mystery)" available on 2010. The duration of Concluding Rosary Prayers (Joyful Mystery) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Concluding Rosary Prayers (Joyful Mystery)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "St. John Cantius Presents: The Traditional Rosary with Music and Devotions in Honor of Our Lady". In this album, this song's track order is #13. In terms of popularity, Concluding Rosary Prayers (Joyful Mystery) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Concluding Rosary Prayers (Joyful Mystery) by Traditional, Choirs of St. John Cantius having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Muusika | Kammerkoor Head Ööd Vend | F Major | 0 | 7B | 83 BPM | ||
Introit Benedicta Sit | Monks Of The Abbey Of Notre Dame | F♯ Major | 1 | 2B | 83 BPM | ||
Sing We and Chant It | Thomas Morley, Trinity Baroque, Julian Podger | G Major | 3 | 9B | 95 BPM | ||
Libera me Responsorium (Trauerliturgie) | Choir Of St. Abuscus | C Major | 2 | 8B | 69 BPM | ||
Responsorium "Subvenite" | Traditional, Cistercian Monks of Stift Heiligenkreuz | G Major | 0 | 9B | 107 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Veni Creator Spiritus | James Morgan, Juliette Pochin, Poor Clare Sisters Arundel | A♭ Major | 2 | 4B | 126 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Francis Poulenc: Salve Regina | Francis Poulenc, Tone Bianca Sparre Dahl, Schola Cantorum | G Minor | 1 | 6A | 66 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Amarcord | D Minor | 1 | 7A | 75 BPM |
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