Jörg Widmann, Patricia Kopatchinskaja, Sol Gabetta made "24 Duos for Violin and Cello: XXIV. Toccatina all’inglese" available on October 8, 2021. The duration of 24 Duos for Violin and Cello: XXIV. Toccatina all’inglese is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 24 Duos for Violin and Cello: XXIV. Toccatina all’inglese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Sol & Pat". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. 24 Duos for Violin and Cello: XXIV. Toccatina all’inglese is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 Duos for Violin and Cello: XXIV. Toccatina all’inglese by Jörg Widmann, Patricia Kopatchinskaja, Sol Gabetta having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
3 Fragmente: I. Magie | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | C Minor | 1 | 5A | 150 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Violin Concerto in D Minor, MWV O3: I. Allegro | Felix Mendelssohn, Henry Raudales, Munich Radio Orchestra | D♭ Major | 0 | 3B | 138 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Suite for Violin and Piano: III. Gamin | William Grant Still, Randall Goosby, Zhu Wang | D Major | 4 | 10B | 93 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 5. Allegro moderato | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Intermezzi for Piano: 3. Mit dunkler Glut (Agitato sempre) | Jörg Widmann, András Schiff | F Major | 0 | 7B | 141 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
String Quartet No. 8 in B-Flat Major, D. 112: II. Andante sostenuto | Franz Schubert, Takács Quartet | G Minor | 0 | 6A | 97 BPM |
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