Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People" - Leonard Bernstein Information

Acousticness: 92%
Danceability: 59%
Energy: 46%
Instrumentalness: 10%
Liveness: 41%
Loudness: 75%
Speechiness: 5%
Valence: 36%
Popularity: 0%
Loudness: -14.821 dB

Summary

Leonard Bernstein's 'Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People"' came out on 1960. With Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Leonard Bernstein's "Leonard Bernstein conducts Bernstein" album is number 15 out of 115. On top of that, United States appears to be the country where this track was created. In terms of popularity, Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People" BPM

We consider the tempo marking of Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People" by Leonard Bernstein to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People" Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Minor	0	7A	117 BPM
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: You shall hear how Pau-Puk-Keewis	Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent	G Major	2	9B	89 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)	Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle	B♭ Major	1	6B	83 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel	C Major	1	8B	127 BPM
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace	Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser	F Major	1	7B	91 BPM
La Mer, L.109: 3. Dialogue Of The Wind And The Sea	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	2	3B	83 BPM
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity	Gustav Holst, Los Angeles Philharmonic, Zubin Mehta	G Minor	3	6A	135 BPM
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti"	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi	C Major	3	8B	125 BPM
Peter and the Wolf, Op. 67 (Without Narration): L'istesso tempo - Più mosso	Sergei Prokofiev, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	84 BPM
Symphony No. 1 in E Minor: III. Juba Dance	Florence Beatrice Price, Fort Smith Symphony, John Jeter	F Major	2	7B	111 BPM

ISRC: USSM17100125
Label: L-M Records/RCA Records

Section: 0.704871416091919

End: 0.7082955837249756