The Sleeping Beauty, Suite, Op. 66a: Pas de caractère: Puss In Boots - Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness: 99%
Danceability: 28%
Energy: 6%
Instrumentalness: 83%
Liveness: 5%
Loudness: 58%
Speechiness: 4%
Valence: 19%
Popularity: 13%
Loudness: -24.918 dB

Summary

"The Sleeping Beauty, Suite, Op. 66a: Pas de caractère: Puss In Boots" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan was released on January 8, 2022. With The Sleeping Beauty, Suite, Op. 66a: Pas de caractère: Puss In Boots being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 92 in the song's album "Start 2022 with Tchaikovsky". In this album, this song's track order is #51. The Sleeping Beauty, Suite, Op. 66a: Pas de caractère: Puss In Boots is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Sleeping Beauty, Suite, Op. 66a: Pas de caractère: Puss In Boots BPM

With The Sleeping Beauty, Suite, Op. 66a: Pas de caractère: Puss In Boots by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

The Sleeping Beauty, Suite, Op. 66a: Pas de caractère: Puss In Boots Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Henry VIII: Scherzetto	Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia	B♭ Major	0	6B	92 BPM
Nocturne No. 2 in C Minor	John Field, Benjamin Frith	C Minor	0	5A	67 BPM
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major	Frédéric Chopin, Idil Biret	A♭ Major	0	4B	74 BPM
Scènes de ballet, Op. 52: II. Marionnettes	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	D Major	0	10B	69 BPM
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai	Giuseppe Tartini, Ray Chen	G Minor	1	6A	75 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Album for the Young, Op. 39: No. 3. Mamma (Maman)	Pyotr Ilyich Tchaikovsky, Carol Rosenberger	G Major	0	9B	87 BPM
Giselle / Act 2: Grand pas de deux: Adage	Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	E♭ Major	0	5B	73 BPM
Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction	Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra	G Minor	0	6A	131 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0057041645050049

End: 1.009981632232666