Juan del Encina, La Maurache, Julien Skowron, Vincent Lecornier, Muriel Allin, Alexandre-Pierre Levy, Michèle Vandenbrouque, Nicolas Zanlonghi, Hervé Barreau, Kléber Besson, Anne Carole Denès, Laurence Orlowski's ' "Oy comamos y bebamos" was released on its scheduled release date, 1993. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 25 in Eloge du vin et de la vigne de Rabelais à Henri IV by La Maurache, Julien Skowron, Vincent Lecornier. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Oy comamos y bebamos's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Oy comamos y bebamos by Juan del Encina, La Maurache, Julien Skowron, Vincent Lecornier, Muriel Allin, Alexandre-Pierre Levy, Michèle Vandenbrouque, Nicolas Zanlonghi, Hervé Barreau, Kléber Besson, Anne Carole Denès, Laurence Orlowski is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dispietata pietate | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Saltarello della tedesca | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 1 | 7A | 129 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Welscher Tantz Wascha mesa - Hupfauff | Hans Neusidler, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | C Major | 3 | 8B | 86 BPM | ||
Folías: Folias | Gaspar Sanz, Antonio Martín y Coll, José Miguel Moreno | D Minor | 1 | 7A | 95 BPM | ||
In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
Corriente Dicha la Cuella | Andrea Falconieri, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | E Major | 4 | 12B | 134 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Messe de Nostre Dame: Gloria | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | C Major | 1 | 8B | 65 BPM |