Johann Strauss I, Vienna Volksoper Orchestra, Franz Bauer-Theussl made "Radetzky-Marsch, Op. 228" available on September 30, 1986. The duration of Radetzky-Marsch, Op. 228 is about 3 minutes long, at 3:17. Based on our data, "Radetzky-Marsch, Op. 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Strauss Family: Orchestral Favourites". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Radetzky-Marsch, Op. 228 by Johann Strauss I, Vienna Volksoper Orchestra, Franz Bauer-Theussl having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
Serenade for Strings in C Major, Op. 48: I. Allegro moderato | Slovak Philharmonic | G Major | 4 | 9B | 180 BPM | ||
2001 A SPACE ODDYSEY: FANFARE From Also Sprach Zarathustra | 101 Strings Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
"Wien, Wien nur du allein" | Rudolf Sieczynski, Fritz Wunderlich, Vienna Volksoper Orchestra, Robert Stolz | G Major | 4 | 9B | 77 BPM | ||
Coppelia Ballet Music, Act III: XXIII. Valse des Heures | Léo Delibes, Josef Leo Gruber, Vienna Volksoper Orchestra | A Major | 3 | 11B | 111 BPM | ||
Chopin: Waltz No. 6 in D-Flat Major, Op. 64 No. 1 "Minute" | Frédéric Chopin, Dmitri Alexeev | B♭ Major | 2 | 6B | 81 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 3 | 12B | 133 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM |
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