"Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Era teco la tua moglie? (Malatestino, Gianciotto)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Kenneth Riegel, Philippe Roillon was released on 1994. The duration of Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Era teco la tua moglie? (Malatestino, Gianciotto) is about 3 minutes long, at 3:01. Based on our data, "Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Era teco la tua moglie? (Malatestino, Gianciotto)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #10 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Era teco la tua moglie? (Malatestino, Gianciotto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Era teco la tua moglie? (Malatestino, Gianciotto) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Kenneth Riegel, Philippe Roillon has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Era teco la tua moglie? (Malatestino, Gianciotto) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Aida / Act 2: Chi mai fra gl'inni e i plausi | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
Francesca da Rimini: Act I: Per la terra di maggio (Chorus) | Riccardo Zandonai, Orchestra Sinfonica Nazionale di Roma della RAI, Coro di Roma della RAI, Antonio Guarnieri | A Major | 3 | 11B | 86 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La forza del destino, Act II, Scene II: Il santo nome di Dio Signore sia benedetto | Giuseppe Verdi, Riccardo Zanellato, Carlo Lepore, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Le nozze di Figaro, K.492, Act III: Recitativo. "E Susanna non vien!" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
La Bohème: Sì. Mi chiamano Mimì | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Alberta Pellegrini | B♭ Major | 2 | 6B | 126 BPM | ||
Puccini: Turandot, Act 1: "O giovinetto! Grazia! Grazia!" (Coro, Calaf) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 0 | 12B | 135 BPM |
Section: 0.7121093273162842
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