"Cycle: IV. Epilogue" by Pēteris Vasks, Reinis Zariņš was released on May 6, 2022. With this song being about 5 minutes long, at 5:24, "Cycle: IV. Epilogue" by Pēteris Vasks, Reinis Zariņš is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vasks: Piano Works by Pēteris Vasks, Reinis Zariņš. The song's track number on the album is #5 out of 9 tracks. Based on our data, Finland was the country where this track was produced or recorded. Based on our statistics, Cycle: IV. Epilogue's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cycle: IV. Epilogue by Pēteris Vasks, Reinis Zariņš has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Cycle: IV. Epilogue being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Os Justi, WAB 30 | Anton Bruckner, Voces8 | C Major | 0 | 8B | 67 BPM | ||
Die Gadalaiki (The Seasons): No. 1. Balta ainava (White Scenery) | Pēteris Vasks, Marcel Worms | A Minor | 0 | 8A | 66 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Arr. H. Alfeyev for Orchestra) | Johann Sebastian Bach, Russian National Orchestra, Hilarion Alfeyev | C Minor | 1 | 5A | 89 BPM |
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