Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern"
Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner
Bach, J.S.: St. Matthew Passion, BWV 244
1:07 January 1, 1989
BPM
77
Key
A♭ Minor
Camelot
1A

Embed

Share Link

Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" - Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner Information

Acousticness
82%
Danceability
35%
Energy
3%
Instrumentalness
0%
Liveness
18%
Loudness
55%
Speechiness
4%
Valence
8%
Popularity
Loudness
-27.222 dB

Summary

"Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern"" by Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1989. With Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" BPM

The tempo marking of Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" by Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit by Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian BachI. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, BereitPieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian BachF♯ Major12B112 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fugue by Janos Sebestyen, Johann Sebastian BachFantasia And Fugue In A Minor, BWV 904 : FugueJanos Sebestyen, Johann Sebastian BachA Minor38A132 BPM
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.13 in F sharp major BWV882 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 2 : Fugue No.13 in F sharp major BWV882Daniel BarenboimB Minor310A127 BPM
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl by Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan LeusinkI. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben WohlHolland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan LeusinkB Major11B71 BPM
St. Matthew Passion, BWV 244, Pt. 2: No. 31. Die aber Jesum gegriffen hatten by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James GilchristSt. Matthew Passion, BWV 244, Pt. 2: No. 31. Die aber Jesum gegriffen hattenJohann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James GilchristD♭ Minor112A73 BPM
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875Daniel BarenboimD Minor07A96 BPM
Music: Stolzel: Bist Du Bei Mir by John Shrapnel, Jeremy Siepmann, Johann Sebastian BachMusic: Stolzel: Bist Du Bei MirJohn Shrapnel, Jeremy Siepmann, Johann Sebastian BachE♭ Major15B64 BPM
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879Daniel BarenboimB Minor010A180 BPM
Missa Divi Xaverii, ZWV 12: Hosanna by Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav LuksMissa Divi Xaverii, ZWV 12: HosannaJan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav LuksA Major211B83 BPM
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.14 in F sharp minor BWV883 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 2 : Fugue No.14 in F sharp minor BWV883Daniel BarenboimB Minor710A156 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.571246862411499

End: 0.5765907764434814