"Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern"" by Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1989. With Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Matthäus-Passion, BWV 244 / Erster Teil: No. 24 "Und er kam zu seinen Jüngern" by Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.13 in F sharp major BWV882 | Daniel Barenboim | B Minor | 3 | 10A | 127 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
St. Matthew Passion, BWV 244, Pt. 2: No. 31. Die aber Jesum gegriffen hatten | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James Gilchrist | D♭ Minor | 1 | 12A | 73 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 | Daniel Barenboim | D Minor | 0 | 7A | 96 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879 | Daniel Barenboim | B Minor | 0 | 10A | 180 BPM | ||
Missa Divi Xaverii, ZWV 12: Hosanna | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A Major | 2 | 11B | 83 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.14 in F sharp minor BWV883 | Daniel Barenboim | B Minor | 7 | 10A | 156 BPM |
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