"Omnes de Saba venient" by Choir of St. John's College, Cambridge, Timothy Ravalde, His Majestys Sagbutts & Cornetts was released on 2011. The duration of Omnes de Saba venient is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Omnes de Saba venient's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Choir of St. John's College, Cambridge, Andrew Nethsingha's "Laudent Deum: Sacred Music by Orlande de Lassus" album is number 6 out of 24. In terms of popularity, Omnes de Saba venient is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Omnes de Saba venient by Choir of St. John's College, Cambridge, Timothy Ravalde, His Majestys Sagbutts & Cornetts to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
O sácrum convívium | Antonio de Salazar, Horacio Franco, Cappella Cervantina | A♭ Major | 3 | 4B | 92 BPM | ||
Lassus: Chansons françaises à quatre voix, Volume 1: No. 8, La nuict froide et sombre | Joachim du Bellay, Orlande de Lassus, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
Lectio I | Hildegard von Bingen, La Reverdie | E♭ Major | 0 | 5B | 68 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Amarcord | D Minor | 1 | 7A | 75 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Lagrime di San Pietro: XIX. Queste opre e più | Orlande de Lassus, Gallicantus, Gabriel Crouch | D Major | 1 | 10B | 139 BPM | ||
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM |
Section: 0.6029691696166992
End: 0.6072416305541992