On 1976, the song "Was kann der Sigismund dafür" was released by Wiener Operettenorchester, Chor. With Was kann der Sigismund dafür being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wiener Operettenorchester, Wiener Operettenchor's "Glanzvolle Operetten: Der Vogelhändler / Im weißen Rössl" album is number 11 out of 11. Based on our statistics, Was kann der Sigismund dafür's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Was kann der Sigismund dafür by Wiener Operettenorchester, Chor to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kitkat katkat | Axel Tornudd, Stockholms Studentsångare, Einar Ralf | G Major | 3 | 9B | 182 BPM | ||
Viktoria und ihr Husar: Ja, so ein Mädel | Paul Abraham, Rita Bartos, Willy Hofmann, John Hoffmann'S, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 6 | 6B | 126 BPM | ||
Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Dame Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Sherrill Milnes, Martti Talvela, London Symphony Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 132 BPM | ||
Der Südwind Der Weht | René Carol | G Major | 2 | 9B | 128 BPM | ||
Feuerfest Polka, Op. 269 | Josef Strauss, Wiener Philharmoniker, Willi Boskovsky | D Major | 5 | 10B | 96 BPM | ||
Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 4 | 3B | 116 BPM | ||
Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | A Major | 1 | 11B | 177 BPM | ||
Waldandacht - Frühmorgens, wenn die Hähne kräh'n | Der Montanara Chor | F♯ Major | 1 | 2B | 70 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM |
Section: 0.6241698265075684
End: 0.6281013488769531