"Sicut cervus: I. Sicut cervus desiderat" by Giovanni Pierluigi da Palestrina, The Cambridge Singers, John Rutter was released on March 1, 2009. The duration of Sicut cervus: I. Sicut cervus desiderat is about 3 minutes long, at 3:15. Based on our data, "Sicut cervus: I. Sicut cervus desiderat" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Sacred Flame". In this album, this song's track order is #5. Sicut cervus: I. Sicut cervus desiderat is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sicut cervus: I. Sicut cervus desiderat by Giovanni Pierluigi da Palestrina, The Cambridge Singers, John Rutter having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem (A German Requiem), Op. 45: IV. How Lovely Is Thy Dwelling Place (Sung in English) | Johannes Brahms, The Cambridge Singers, Aurora Orchestra, John Rutter | E♭ Major | 2 | 5B | 106 BPM | ||
4 Anthems for Chorus & Organ: No. 3, Like as the Hart | Herbert Howells, Wayne Marshall, The Cambridge Singers, John Rutter | E Minor | 1 | 9A | 132 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Sacred Madrigals, Book 2 (Delle madrigali spirituali libro secondo): Figlio immortal | Giovanni Pierluigi da Palestrina, Agnes Kovacs, Agnes Pinter, Judit Andrejszki, Karoly Paszti, Zoltan Kalmanovits, Corvina Consort | D Minor | 1 | 7A | 115 BPM | ||
The Fear of the Lord | Herbert Howells, Wayne Marshall, The Cambridge Singers, John Rutter | G Major | 1 | 9B | 129 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM |
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