Prague Opera OrchestrPrague Opera Orchestra's 'Don Giovanni, Batti, Batti O Bel Masetto, (De "Xxx")' came out on October 12, 2012. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Opera Goes to Movies Vol. 5". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Don Giovanni, Batti, Batti O Bel Masetto, (De "Xxx") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Giovanni, Batti, Batti O Bel Masetto, (De "Xxx") by Prague Opera OrchestrPrague Opera Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob.III:76, "Fifths": I. Allegro | Franz Joseph Haydn, Kodály Quartet | D Minor | 1 | 7A | 130 BPM | ||
Water Music Suite No. 2 in D, HWV 349: IV. Andante, Allegro | George Frideric Handel, Oliver von Dohnanyi, Slovak Philharmonic | B Major | 2 | 1B | 93 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 60 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | C Minor | 4 | 5A | 147 BPM | ||
Coriolan, Op. 62: Overture | Alberto Lizzio, London Philharmonic Orchestra, Various Artists | F Minor | 1 | 4A | 85 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Sonate, D-Moll, L. 366 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Minor | 1 | 7A | 134 BPM |
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