The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom)
Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft
Stravinsky, I.: Rake's Progress (The) [Opera]
2:00 May 26, 2009
BPM
93
Key
D♭ Major
Camelot
3B

Embed

Share Link

The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom) - Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Information

Acousticness
99%
Danceability
19%
Energy
9%
Instrumentalness
0%
Liveness
11%
Loudness
57%
Speechiness
4%
Valence
6%
Popularity
Loudness
-25.878 dB

Summary

"The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom)" by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft was released on May 26, 2009. The duration of The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom) BPM

With The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.

The Rake's Progress: Act II Scene 1: Aria: Vary the song (Tom) Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai by Sergei Prokofiev, Gil Shaham, André Previn, London Symphony OrchestraViolin Concerto No. 2 In G Minor, Op. 63: 2. Andante assaiSergei Prokofiev, Gil Shaham, André Previn, London Symphony OrchestraG Major19B64 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo by Antonín Dvořák, Berliner Philharmoniker, Rafael KubelíkSymphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppoAntonín Dvořák, Berliner Philharmoniker, Rafael KubelíkG Major29B141 BPM
Mahler: Blumine by Gustav Mahler, San Francisco Symphony, Michael Tilson ThomasMahler: BlumineGustav Mahler, San Francisco Symphony, Michael Tilson ThomasC Major18B100 BPM
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré by Maurice Ravel, Berliner Philharmoniker, Pierre BoulezMa mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéréMaurice Ravel, Berliner Philharmoniker, Pierre BoulezG Minor06A89 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: IV. AdagioArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Major110B82 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico by Max Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestViolin Concerto No. 1 in G Minor, Op. 26: III. Allegro energicoMax Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestG Major39B97 BPM
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato by Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel HardingConcerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderatoRichard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel HardingD Major210B133 BPM
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinTwo Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D MajorJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major010B108 BPM
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: II. Molto rallentandoArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonE Major212B76 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
ISRC
HKI190908227
Label
L-M Records/RCA Records

Section: 0.9041335582733154

End: 0.908400297164917