Jacques Loussier Trio's 'Prelude No.2 in C minor BWV 847 [The Well-tempered Clavier - Book 1]' came out on January 1, 2000. The duration of Prelude No.2 in C minor BWV 847 [The Well-tempered Clavier - Book 1] is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Prelude No.2 in C minor BWV 847 [The Well-tempered Clavier - Book 1]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Play Bach Aux Champs-Elysées". In this album, this song's track order is #2. Based on our statistics, Prelude No.2 in C minor BWV 847 [The Well-tempered Clavier - Book 1]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude No.2 in C minor BWV 847 [The Well-tempered Clavier - Book 1] by Jacques Loussier Trio having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Prelude In E-Minor | Chucho Valdés | A Minor | 1 | 8A | 66 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
aKa 466 | Aka Moon, Fabian Fiorini | F Minor | 5 | 4A | 125 BPM | ||
Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
Poulenc: Les chemins de l'amour, FP 106 (Trancr. for Cello and Piano) | Francis Poulenc, Edgar Moreau, Pierre-Yves Hodique | D♭ Major | 1 | 3B | 140 BPM | ||
Canción y danza | Federico Mompou, Anja Lechner, François Couturier | E♭ Minor | 0 | 2A | 79 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
Dancers in Love | Vincent Peirani, Emile Parisien | F Major | 1 | 7B | 83 BPM | ||
Lya | Yonathan Avishai | C Major | 1 | 8B | 105 BPM |
Section: 0.5028963088989258
End: 0.5069913864135742