Marin Marais, Jordi Savall, Lisandro Abadie, Marc Mauillon, Le Concert Des Nations made "Alcione, Acte III Scène 2: Prélude gay - "L’amour vient de vous faire une faveur nouvelle"" available on September 24, 2021. With Alcione, Acte III Scène 2: Prélude gay - "L’amour vient de vous faire une faveur nouvelle" being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 14 out of 85. In terms of popularity, Alcione, Acte III Scène 2: Prélude gay - "L’amour vient de vous faire une faveur nouvelle" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Alcione, Acte III Scène 2: Prélude gay - "L’amour vient de vous faire une faveur nouvelle" by Marin Marais, Jordi Savall, Lisandro Abadie, Marc Mauillon, Le Concert Des Nations to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
Concert XLI: Le Retour | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Major | 1 | 8B | 70 BPM | ||
Entrée de Luths | Robert Ballard, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 96 BPM | ||
Pièces de viole, Livre V: No. 46, Prélude en harpégement | Marin Marais, L'Achéron, François Joubert-Caillet | E Major | 0 | 12B | 81 BPM | ||
Alcione - 3Ème Suite - Airs Pour Les Prêtresse Et Les Magiciens - Prélude Pour La Prêtresse De Junon | Jordi Savall, Marin Marais | F Major | 0 | 7B | 184 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": II. Aria allegro - Variations - III. Finale | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 2 | 12A | 112 BPM | ||
Ariane et Bacchus, Act IV: Prélude et récit. Vous, qui fûtes toujours empressés à me plaire | Marin Marais, Matthieu Lécroart, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | E♭ Major | 2 | 5B | 66 BPM | ||
Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM |
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