Howard Shore, Nicola Benedetti, Greg Knowles, Bournemouth Symphony Orchestra, Kirill Karabits's 'Concertino from "Eastern Promises": Tatiana' came out on January 1, 2012. The duration of Concertino from "Eastern Promises": Tatiana is about 3 minutes long, at 3:08. Based on our data, "Concertino from "Eastern Promises": Tatiana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The Silver Violin". In this album, this song's track order is #12. Concertino from "Eastern Promises": Tatiana is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concertino from "Eastern Promises": Tatiana by Howard Shore, Nicola Benedetti, Greg Knowles, Bournemouth Symphony Orchestra, Kirill Karabits having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
2 English Idylls: No. 2. English Idyll | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | C Major | 0 | 8B | 143 BPM | ||
Violin Concerto No. 3 in B minor, Op. 61: 2. Andantino quasi allegretto | Camille Saint-Saëns, Pierre Amoyal, Orchestre National De France, Charles Dutoit | D Major | 0 | 10B | 108 BPM | ||
Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: 6. Fast Dance (Arr. Campbell) | Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | D Major | 6 | 10B | 160 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Nicola Benedetti, Czech Philharmonic Orchestra, Jakub Hrůša | E♭ Major | 0 | 5B | 96 BPM | ||
Carmen Suite No. 2: Danse bohème | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Scottish Fantasy, Op.46: 4. Finale (Allegro guerriero) | Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald | E♭ Major | 1 | 5B | 102 BPM |
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