"Violin Concerto No. 3 in B minor, Op. 61: 2. Andantino quasi allegretto" by Camille Saint-Saëns, Pierre Amoyal, Orchestre National De France, Charles Dutoit was released on January 1, 1995. Since Violin Concerto No. 3 in B minor, Op. 61: 2. Andantino quasi allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Saint-Saens/Respighi: Violin Concerto No.3/Concerto Gregoriano". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Violin Concerto No. 3 in B minor, Op. 61: 2. Andantino quasi allegretto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 3 in B minor, Op. 61: 2. Andantino quasi allegretto by Camille Saint-Saëns, Pierre Amoyal, Orchestre National De France, Charles Dutoit having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
La Mandoline - Allegro | Elias Parish Alvars, Xavier De Maistre | C Major | 2 | 8B | 136 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Sinfonietta pour orchestre: 1. Allegro con fuoco | Francis Poulenc, Orchestre National De France, Charles Dutoit | F Major | 1 | 7B | 71 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | A Major | 1 | 11B | 80 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Piano Concerto in E-Flat Major, Op. 31: III. Ausserst ruhig, versonnen, schwarmerisch | Hans Pfitzner, Tzimon Barto, Staatskapelle Dresden, Christian Thielemann | A♭ Minor | 0 | 1A | 64 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM |
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