Wolfgang Amadeus Mozart, Konstantin Wolff, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin made "Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Guarda un po' come seppe questa strega"" available on January 1, 2012. With Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Guarda un po' come seppe questa strega" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 7 out of 53. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Guarda un po' come seppe questa strega"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Guarda un po' come seppe questa strega" by Wolfgang Amadeus Mozart, Konstantin Wolff, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto) | Giuseppe Verdi, Ildebrando D'Arcangelo, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | A♭ Major | 4 | 4B | 180 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Riposate, vezzose ragazze" | Wolfgang Amadeus Mozart, Kathleen Battle, Anna Tomowa-Sintow, Agnes Baltsa, Gösta Winbergh, Samuel Ramey, Ferruccio Furlanetto, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 66 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Nun sprecht, wie ging's? | Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Or bene, ascolta, e taci" | Wolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | C Major | 1 | 8B | 86 BPM | ||
Symphony No. 2 In B Flat, Op. 52, MWV A 18 - "Hymn Of Praise": 2b. Molto più moderato ma con fuoco "Lobe den Herrn, meine Seele" - Live | Felix Mendelssohn, Karina Gauvin, RIAS Kammerchor, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 1 | 6B | 79 BPM | ||
Così fan tutte, K. 588 / Act I: "Fuor la spada" | Wolfgang Amadeus Mozart, Adam Plachetka, Alessandro Corbelli, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 72 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Se a caso Madama la notte ti chiama" | Wolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 2 | 6B | 123 BPM | ||
Die Zauberflöte, K. 620, Act II No. 11: Duett - Bewahret euch vor Weibertucken | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D Major | 1 | 10B | 94 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Minor | 2 | 7A | 72 BPM |
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